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As the drumming began, the dancers opened their performance with the crowd evenly divided.


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Dancers on both sides began their performances at a moderate pace, which was maintained until the more frenzied crescendo of the dance climax, when all stops were pulled and "secret weapons" were brought out. When that moment Sukuma figures, boundaries, and the arousal of spectacle. Author: Aimee Bessire.

Stanford Libraries

Date: Mar. From: African Arts Vol.

Document Type: Article. Length: 13, words.

The Male Dancer : Bodies, Spectacle and Sexuality: Ramsay Burt: Telegraph bookshop

Laura Mulvey Dancing is a great obstacle to the conversion of the Sukuma. E Pere Chomerac n. Looking at this photograph of Kameyagi Ntamanwa, a leader of Bugobogobo, Lupande recalled a competition between Bugobogobo and Bukomyalume 2 dance groups: As the drumming began, the dancers opened their performance with the crowd evenly divided.

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